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Post  Chumara on Fri Jul 08, 2011 3:33 pm

So this show holds the new record for being something that I wanted to drop literally the first time the "cameraman" said something, to being my favorite thing I watched thus far. At first I thought the on-screen dialogue was how the main protagonist was going to talk to the girls the whole show, then I realized that it was supposed to be like a documentary which I was really digging. Then they introduced all the idols and it made for a really energetic and entertaining episode only to end it off with the cameraman being a producer and we get to see his real face along with a voice. I loved it, all of it. So far I wanna see more of this the most for this season, and there aren't many shows left that I'm planning on watching that could take it away, with maybe the exception of Baka Test 2 since that show is just awesome already.

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Post  Tekkaman Calamity on Fri Jul 08, 2011 5:37 pm

This had a rather interesting introductory episode, though I think they should've got Wakamoto for the agency head. It's caught my eye to continue looking, but I am wondering where exactly do they go from here.

Anyways, I'm going to be rooting for Kisaragi.

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Post  Tekkaman Calamity on Sat Jul 09, 2011 12:40 pm

Is one of the girls a communist? She's got a sweatshirt that says ussr.

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Post  Chumara on Sat Jul 09, 2011 2:27 pm

Lol, that'd be something new, might as well have a Nazi chick too.

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Post  Tekkaman Calamity on Fri Jul 15, 2011 5:04 pm

And it's Kugyuu's character right off the bat.

Also, why are there guys in this show?

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Post  Chumara on Sat Jul 16, 2011 3:59 am

I wonder if they're going to focus on groups of idols like this throughout the show, I'd prefer to have more of an overbearing plot every episode and have everybody have equal parts, no I'm not communist.
I feel like they're trying to make Producer-san into some kind of adoption home daddy or something, he's just going around counseling the idols like his children, this show will probably get a x-rated blu-ray spin-off ending.

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